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The Foundation’s Separate Publications In addition to the regular publications like the yearbook and SPK Magazine, the President of the Stiftung Preussischer Kulturbesitz regularly publishes thematic and collection-based studies. They can be purchased from the Webshop and in the museum shops of the

The Staatliche Institut für Musikforschung is the secret star of the new Netflix series "Unorthodox" – so before your next binge-watching session, why not check out what the institute itself has to offer online? By Julia Spinola If you’re planning on binge-watching Netflix to forget the pandemic aft

The Guelph Treasure, the largest German church treasure owned by a public art collection, is preserved in the Berlin Museum of Decorative Arts. The Prussian state purchased it from a consortium of dealers in 1935. In January 2008, the heirs of these dealers, who were Jewish, asked the Prussian Cultu

Although the Humboldt Forum had only a digital opening yesterday evening in view of the coronavirus pandemic, work is nevertheless proceeding at full steam in the museums. Toralf Gabsch, chief restorer at the Museum für Asiatische Kunst (Asian Art Museum) and responsible for the move of the Ethnolog

Advisory Board The Advisory Board has the task of advising the Board of Trustees, the President and, in future, the Executive Board on technical issues. It represents the external, independent expertise for the foundation's work. Photo: photothek, Florian Gaertner The Advisory Board meets at least o

SPK Magazine SPK Magazine reports on the Stiftung Preussischer Kulturbesitz in its full diversity. It offers an opportunity to speak to the people who address the numerous tasks of the Foundation with creativity and personal commitment and takes positions on issues of cultural policy. Heft 11 (2018)

Global Network for Protecting Cultural Heritage The Foundation is committed to international action in response to the worldwide threat to cultural heritage. A collaborative project is investigating illicit trade and devising new methods of protecting cultural assets. "Cultural Heritage in Danger: I

The most important Weimar-era silent films about Berlin are being shown at the Musikinstrumenten-Museum as part of its Wednesday evening film series By Kevin Hanschke Neon signs turn night into day. People stream into pleasure palaces. Elevated trains hurtle between the buildings. Traffic backs up a

Cultural Assets Relocated to Russia as a Result of the War At the end of the Second World War, numerous cultural assets were transported to the USSR. A large number of them are still there. The Federal Republic of Germany and the cultural institutions affected are seeking their return. In 1958–59 th

Introductory lecture by Hermann Parzinger, President of the Prussian Cultural Heritage Foundation: "Ways to more responsibility. Dealing with Nazi-looted art 10 years after Washington" - The spoken word prevails - The prehistory Since those dark days of National Socialist rule in our country, public