Search

Search

  1. The Foundation’s Separate Publications

    The Foundation’s Separate Publications In addition to the regular publications like the yearbook and SPK Magazine, the President of the Stiftung Preussischer Kulturbesitz regularly publishes thematic and collection-based studies. They can be purchased from the Webshop and in the museum shops of the

  2. Schönberg for Eight Hands in 20 Minutes (28.04.2020)

    The Staatliche Institut für Musikforschung is the secret star of the new Netflix series "Unorthodox" – so before your next binge-watching session, why not check out what the institute itself has to offer online? By Julia Spinola If you’re planning on binge-watching Netflix to forget the pandemic aft

  3. New Year Gets Underway with a Major Logistical Effort (17.12.2020)

    Although the Humboldt Forum had only a digital opening yesterday evening in view of the coronavirus pandemic, work is nevertheless proceeding at full steam in the museums. Toralf Gabsch, chief restorer at the Museum für Asiatische Kunst (Asian Art Museum) and responsible for the move of the Ethnolog

  4. Advisory Board

    Advisory Board The Advisory Board has the task of advising the Board of Trustees, the President and, in future, the Executive Board on technical issues. It represents the external, independent expertise for the foundation's work. Photo: photothek, Florian Gaertner The Advisory Board meets at least o

  5. SPK Magazine

    SPK Magazine SPK Magazine reports on the Stiftung Preussischer Kulturbesitz in its full diversity. It offers an opportunity to speak to the people who address the numerous tasks of the Foundation with creativity and personal commitment and takes positions on issues of cultural policy. Heft 11 (2018)

  6. The Clamor of the Big City (15.11.2022)

    The most important Weimar-era silent films about Berlin are being shown at the Musikinstrumenten-Museum as part of its Wednesday evening film series By Kevin Hanschke Neon signs turn night into day. People stream into pleasure palaces. Elevated trains hurtle between the buildings. Traffic backs up a

  7. So Why Is It Taking So Long?

    31.08.2017 So Why Is It Taking So Long? Article Hanna Strzoda, provenance researcher in a project examining acquisitions for the “Sammlung der Zeichnungen” made between 1933 and 1945, and Anna Pfäfflin, curator for 19th-century art in the Kupferstichkabinett, describe the typical problems they encou

  8. Forschungsnewsletter

    Forschungsnewsletter Sind die wiederaufgetauchten Bilder aus dem Gothaer Kunstraub echt? Was braucht es, um den Splintholzkäfer im Museum zu besiegen? Welchen Weg hat ein Objekt in den vergangenen Jahrzehnten genommen? Wie spielt man denn nun Beethoven richtig? Und warum war Alexander von Humboldt e

  9. Global Network for Protecting Cultural Heritage

    Global Network for Protecting Cultural Heritage The Foundation is committed to international action in response to the worldwide threat to cultural heritage. A collaborative project is investigating illicit trade and devising new methods of protecting cultural assets. "Cultural Heritage in Danger: I

  10. Cultural Assets Relocated to Russia as a Result of the War

    Cultural Assets Relocated to Russia as a Result of the War At the end of the Second World War, numerous cultural assets were transported to the USSR. A large number of them are still there. The Federal Republic of Germany and the cultural institutions affected are seeking their return. In 1958–59 th