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16.02.2017 We’ve got to pull it off Article 1990–1999–2017: Dagmar Neuland-Kitzerow from the Museum of European Cultures offers insights into and a glimpse of a museum in flux. You can imagine all the collection relocations following reunification as a giant jigsaw puzzle: during the GDR era, the Mu

03.02.2017 Keep your mouth shut and listen carefully Article The end of the cosy atmosphere: Bernd Kluge from the Münzkabinett on struggles over resources and existential fears following the fall of the Berlin Wall. After the fall of the Wall, changes reached the museum rather quickly too. The full-

10.02.2017 We’re here now too Article Evelyn Klengel recounts how she made her mark as director of the Museum of the Ancient Near East. In the GDR, women were always supported; I never felt disadvantaged in that respect. On the contrary, I was able to gain qualifications and complete a degree, which

10.02.2017 Finally, Prussia! Article Joachim Marzahn on the major clear-out in the basement of the Pergamon Museum following German reunification. In 1989, Marzahn was a research assistant at the Museum of the Ancient Near East (East Berlin); he became its director in 1990 and later chief curator of

The SPK and the World In her column “The SPK and the World”, Marion Ackermann writes about the Foundation of Prussian Cultural Heritage’s international collaborations, encounters and outlooks. In her column “The SPK and the World”, SPK President Marion Ackermann writes about international encounters

02.02.2017 Off to the East with laundry baskets Article Suddenly in pole position: Dagmar Droysen-Reber on the new role of the State Institute for Music Research at the Kulturforum following the fall of the Berlin Wall. You know, on the day the Wall was opened, I’ll be perfectly honest with you, I s

For the 2022 Annual Report, we invited cultural correspondents to spend a day exploring places they long to visit, their favourite venues, and the worlds of archives, libraries and collections. We set few parameters; we weren’t looking for courtly reporting, but rather insights and inspiration. Ever

For the 2022 Annual Report, we invited cultural correspondents to spend a day exploring places they long to visit, their favourite venues, and the worlds of archives, libraries and collections. We set few parameters; we weren’t looking for courtly reporting, but rather insights and inspiration. Ever

For the 2022 Annual Report, we invited cultural correspondents to spend a day exploring places they long to visit, their favourite venues, and the worlds of archives, libraries and collections. We set few parameters; we weren’t looking for courtly reporting, but rather insights and inspiration. Ever

For the 2022 Annual Report, we invited cultural correspondents to spend a day exploring places they long to visit, their favourite venues, and the worlds of archives, libraries and collections. We set few parameters; we weren’t looking for courtly reporting, but rather insights and inspiration. Ever