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  1. Former Presidents and Vice Presidents

    Former Presidents and Vice Presidents Beginning in 1962, there are four former presidents of the Stiftung Preussischer Kulturbesitz: Hans-Georg Wormit, Werner Knopp, Klaus-Dieter Lehmann and Hermann Parzinger. There are three former vice presidents: Peter Hofmann, Norbert Zimmermann and Günther Scha

  2. Reconsidering Schinkel’s Academy of Architecture (11.10.2016)

    Beginning in 2019, the Humboldt Forum will showcase the cultures of the world – but where in Berlin can museum-goers actually experience architecture? The SPK’s president, Hermann Parzinger, makes a plea for the completion of the historical center of Berlin. When the 175th anniversary of the death o

  3. Dealing with Cultural Assets Looted by the National Socialists

    Dealing with Cultural Assets Looted by the National Socialists The National Socialists systematically took art and books from those they persecuted. The Foundation searches for just and fair solutions based on the Washington Principles for looted assets that ended up in its collections. Im August 19

  4. „Of Course Provenance Research Is Being Done“ (08.08.2017)

    Conducting provenance research on ethnological collections is often more difficult than research on Nazi-confiscated art, the president of the Stiftung Preussischer Kulturbesitz, Hermann Parzinger, said in an interview with Maria Ossowski of Deutschlandfunk. But, he pointed out, the Humboldt-Forum w

  5. Here I realize what it means to be human (09.04.2019)

    The Staatliche Institut für Musikforschung and the Musikinstrumenten-Museum are breaking new ground in outreach – Conny Restle and Thomas Ertelt talk to us about sonorous objects, Beethoven the freelancer, and the parking lot. The digital museum guide at the Musikinstrumenten-Museum (Museum of Music

  6. In the Witch's Cottage: Visiting Leni Riefenstahl (12.02.2018)

    The estate of Leni Riefenstahl was recently donated to the SPK. It all had to be packed up in her house in Pöcking on a one-week ‘flash expedition’ in late 2017 and brought to Berlin. Reason enough to reflect upon Leni Riefenstahl, her life, and her work. An artist has to endure that. He must not cl