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  1. Successful interplay of landscape architecture and art - decision of the interdisciplinary competition for outdoor facilities and art in the building of the plaster moulding workshop of the National Museums in Berlin (23.12.2024)

    A Berlin team from the disciplines of landscape architecture and art will design the outdoor areas of the plaster moulding workshop of the Staatliche Museen zu Berlin (SMB) following its basic restoration and extension. With their design, the offices 100Landschaftsarchitektur and studiofutura with t

  2. Positioning on the future of Berlin's museum landscape (21.08.2013)

    The President of the Prussian Cultural Heritage Foundation and the Director General of the National Museums in Berlin see a new building at the Kulturforum as a significant and realisable step towards the further development of Berlin's museum landscape. This will create the urgently needed presenta

  3. Whereabouts of two faience vases in the Berlin Museum of Decorative Arts secured (27.10.2010)

    Two important faience vases from the Kunstgewerbemuseum of the Staatliche Museen zu Berlin were recently identified as former Jewish property. The Prussian Cultural Heritage Foundation has reached an agreement with the heirs that the vases can remain in the Museum of Decorative Arts, where they have

  4. Feasibility study commissioned to optimise Berlin's museum landscape (11.09.2012)

    The President of the Prussian Cultural Heritage Foundation Hermann Parzinger, the Director General Michael Eissenhauer and the 15 museum directors of the SMB, in particular the collection directors concerned, Udo Kittelmann and Bernd Lindemann, have decided on the further course of action regarding

  5. Experts from the Prussian Cultural Heritage Foundation involved in uncovering forgeries in the Jägers Collection case. The significance of scientific analyses by the Rathgen Research Laboratory of the National Museums in Berlin (10.01.2012)

    In the trial concerning Jäger's alleged art collection, which led to a legally binding judgement at the end of December 2011, the results of the extensive scientific investigations carried out by the Rathgen research laboratory helped to substantiate the suspicion of art forgery and, in particular,

  6. Will Priam's Treasure Soon Be Shown on Museum Island? (28.06.2021)

    Future relations with Russia — are politics and culture going separate ways? That was the subject of a discussion with Michael Kretschmer, Marion Ackermann and Hermann Parzinger on June 10, 2021. Text The evening panel discussion was hosted by SPK President Hermann Parzinger and State Secretary Conr

  7. Ten years UNESCO World Heritage Site Museum Island Berlin (09.03.2010)

    Museum Island Berlin has been a UNESCO World Heritage Site for ten years. On 10 March 2000, the then UNESCO Secretary-General Koïchiro Matsuura presented the certificate of inclusion of the Museum Island in the World Heritage List to the Governing Mayor of Berlin and the President of the Prussian Cu

  8. Museum of 20th Century

    Museum of 20th Century The Kulturforum is getting a new building: a museum of twentieth-century art. Along with the "Mies building", it will enable the Nationalgalerie to show its major collection of twentieth-century art in a coherent form at last. An architectural model of the Kulturforum shows th

  9. Ceremony marking the change in the office of Director General of the National Museums in Berlin. Speech by the President of the Prussian Cultural Heritage Foundation Hermann Parzinger (31.10.2008)

    - The spoken word prevails - Salutations, When you, dear Mr Schuster, took up your post as Director General of the Bavarian State Painting Collections in Munich in 1998, you were asked whether the position of Director General of the National Museums in Berlin, which became vacant the following year,

  10. New scanning technology CultLab3D: How museum pieces can be digitised on the assembly line (05.11.2014)

    It's a revolution in museums: with the CultLab3D scanning line, collection artefacts can be captured in three dimensions and converted into authentic digital models in just a few minutes. While 3D reproduction techniques for museum treasures were previously expensive and, above all, time-consuming,