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  1. The Prussian Cultural Heritage Foundation as a scientific institution (02.07.2008)

    The Prussian Cultural Heritage Foundation is not only responsible for preserving, maintaining and supplementing the cultural assets entrusted to it, but also, as the Foundation Act of 1957 states, "to ensure that these cultural assets are utilised for the interests of the general public in science a

  2. Journal for the History of Ideas appears with the title "Colonial Goods" (19.02.2021)

    The spring issue of the Zeitschrift für Ideengeschichte will be published on 22 February 2021 with the title "Kolonialwaren". The magazine is jointly edited by Ulrike Gleixner, Alexandra Kemmerer, Michael Matthiesen and SPK President Hermann Parzinger . The editors have this to say about the announc

  3. In Focus 2022: SPK puts itself to the test – Kulturforum (30.03.2026)

    For the 2022 Annual Report, we invited cultural correspondents to spend a day exploring places they long to visit, their favourite venues, and the worlds of archives, libraries and collections. We set few parameters; we weren’t looking for courtly reporting, but rather insights and inspiration. Ever

  4. In Focus 2022: SPK puts itself to the test – Mid-term (30.03.2026)

    For the 2022 Annual Report, we invited cultural correspondents to spend a day exploring places they long to visit, their favourite venues, and the worlds of archives, libraries and collections. We set few parameters; we weren’t looking for courtly reporting, but rather insights and inspiration. Ever

  5. In Focus 2022: SPK puts itself to the test – Kulturforum (30.03.2026)

    For the 2022 Annual Report, we invited cultural correspondents to spend a day exploring places they long to visit, their favourite venues, and the worlds of archives, libraries and collections. We set few parameters; we weren’t looking for courtly reporting, but rather insights and inspiration. Ever

  6. In Focus 2022: SPK puts itself to the test – Mid-term (30.03.2026)

    For the 2022 Annual Report, we invited cultural correspondents to spend a day exploring places they long to visit, their favourite venues, and the worlds of archives, libraries and collections. We set few parameters; we weren’t looking for courtly reporting, but rather insights and inspiration. Ever

  7. (Contemporary) history(ies) embedded in works of art (30.03.2026)

    The exhibition “From Max Ernst to Dorothea Tanning: Networks of Surrealism. Provenances of the Ulla and Heiner Pietzsch Collection” at the Neue Nationalgalerie impressively demonstrates the fascinating connections that provenance research brings to light. A conversation with the exhibition’s curator

  8. (Contemporary) history(ies) embedded in works of art (30.03.2026)

    The exhibition “From Max Ernst to Dorothea Tanning: Networks of Surrealism. Provenances of the Ulla and Heiner Pietzsch Collection” at the Neue Nationalgalerie impressively demonstrates the fascinating connections that provenance research brings to light. A conversation with the exhibition’s curator

  9. The Acting Grand Master of the Teutonic Order visits the GStA (30.03.2026)

    Every two years, historians from the “International Historical Commission for the Study of the Teutonic Order” gather for an international conference. From 19 to 21 September 2024, it took place for the first time at the Secret State Archives of the Prussian Cultural Heritage Foundation (GStA). Also

  10. The Acting Grand Master of the Teutonic Order visits the GStA (30.03.2026)

    Every two years, historians from the “International Historical Commission for the Study of the Teutonic Order” gather for an international conference. From 19 to 21 September 2024, it took place for the first time at the Secret State Archives of the Prussian Cultural Heritage Foundation (GStA). Also